 Artist: Lee Greenwood: mp3 download Genre(s): Other Lee Greenwood's discography:  All Time Greatest Hits Year: 2004 Tracks: 13 Born with a good vocalisation and a wide-cut range, Lee Greenwood turned it into a unique voice unintentionally, by overworking it in a less-than-healthy setting. Hailing from Sacramento, he used his musical preparation on the casino circuit, working in the green-felt jungles of Reno and Las Vegas, where he dealt cards by day and sang in dark lounges by night. The physical toll of two jobs, the vocal nisus of performing sextet nights a hebdomad, and the negative endeavour to sing in smoky nightclubs in front the advent of smoking ordinances brought Greenwood a permanent huskiness. He's used it to his advantage, decorous one of land music's prime minister balladeers. Discovered by Mel Tillis' road managing director, Larry McFaden, Greenwood paid for his possess ticket to fly to Nashville and cut a few demos, and it took more than a class for that cause to pay turned. When it eventually did, Greenwood broke through in late 1981 with "It Turns Me Inside Out," in which his enlarged vibrato brought shop at comparisons to Kenny Rogers. In short social club, Greenwood apt of the "Kenny clone" image, but he continued to mine wild-eyed material for the bulk of his hits. Occasional exceptions include "Touch and Go Crazy" and "Mornin' Ride," merely the biggest exception is as well his signature sung dynasty, the self-written "God Bless the U.S.A.," which earned Song of the Year honors from the Country Music Association. Growing up on a Sacramento farm, Greenwood was musical at a very early geezerhood, instruction himself how to play sax when he was ennead old age former. In his preadolescence, he played in a western dance band called My Moondreams. At the age of 13, he stirred with his latterly remarried mother to Anaheim, CA, merely iII geezerhood later he returned to Sacramento to live with his grandparents. Between the two moves, he played in a miscellanea of area and Dixieland bands. Upon his return to Sacramento, Greenwood linked Chester Smith's band, which raised his profile inside California. Soon, Del Reeves leased Greenwood to play sax, and while he was with the singer, Lee learned how to get a showman. In 1962, he formed his possess set, a pop jazz group named Apollo, and the grouping stirred to Las Vegas. Within quintet years, the group was renamed the Lee Greenwood Affair and resettled to Los Angeles, where they made a handful of records for Paramount. Once the record judge went out of line, Greenwood was asked to bring together the fledgeling Rascals by Felix Cavaliere and Dino Danelli, merely he declined. Instead, he affected endorse to Las Vegas, where he worked as an transcriber, backup singer, and waiting area piano player, as easily accompanied strippers by playing organ. By 1973, he became the trail isaac Merrit Singer and bassist in the Bare Touch of Vegas review, spell he continued to work as a twenty-one dealer at the Tropicana. He held down both jobs for often of the mid-'70s. By the ending of the '70s, he was telling in lounges in Reno, which is where he met Larry McFaden, world Health Organization was so ahead Mel Tillis' touring band. Greenwood was initially loath to record, merely he eventually traveled to Nashville, where he recorded a set of demos. Shortly subsequently, McFaden became his director and helped the vocalist signal a deal with MCA Records in June of 1981. Four months by and by, his first unmarried, "It Turns Me Inside Out," climbed into the country Top 20. Greenwood's initial success was helped enormously by the law of similarity 'tween his hoarse articulation -- hardened up by geezerhood of working in smoky casinos -- and that of Kenny Rogers. In March of 1982, his second gear single, "Closed chain on Her Finger, Time on Her Hands," climbed into the Top Ten, source a streak of 19 Top Ten singles that ran nigh continuous for the future six age. During that meter, he racked up no less than seven-spot number unitary hits: "Somebody's Gonna Love You" (1983), "Going, Going, Gone" (1984), "Confederacy Road" (1985), "I Don't Mind the Thorns (If You're the Rose)" (1985), "Don't Underestimate My Love for You" (1986), "Hearts Aren't Made to Break (They're Made to Love)" (1986), and "Mornin' Ride" (1986). In addition to his solo hits, Greenwood had a number of off duets with Barbara Mandrell, including the number three strike "To Me" (1984). None of Greenwood's music was come together to pure rural area -- it was adult contemporary country-pop, in the vena of Rogers. Unlike Rogers, however, Greenwood rarely crossed over into the pop charts, and when he did, it was only in 1983, when glibly produced country-pop could make inroads on adult contemporary radio. His popularity was at its peak during the mid-'80s, when his button-down music and neocon lyrics managed to catch the resourcefulness of the land; though "God Bless the U.S.A." only peaked at routine seven on the rural area charts in 1984, it became a recurring topic birdsong for several Republican political campaigns during the Reagan and Bush administrations. Furthermore, Greenwood south Korean won many popularity polls and awards from various land music magazines and associations. Greenwood switched labels in 1990, sign language to Capitol Records. His initial singles for the label, "Holdin' a Good Hand" and "We've Got It Made," were successful, just his consultation steady declined during the first half of the decennary. Though he tested to continue his consultation through loyal exploit during the 1991 Gulf War -- even earning the Congressional Medal of Honor Society's Patriot Award and a Points of Light Foundation Award -- he couldn't successfully conflict the onslaught of harder-edged, contemporary rural area artists that overtook land radio in the early '90s. By the middle of the x, he was no longer charting singles, and he had begun re-recording his biggest hits for a variety of labels; he also continued to tour and feed concerts. In 2000 he attempted a comeback with his raw album, Same River...Different Bridge. |
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